Showing posts with label Georgina Campbell. Show all posts
Showing posts with label Georgina Campbell. Show all posts

Thursday, 25 August 2016

Georgina Campbell: 'I wanted to be an air hostess, not an actor' - Guardian interview

Georgina Campbell: 'I wanted to be an air hostess, not an actor'

At 16, Georgina Campbell hated auditions and never had more than one line in the school play. So how did she beat Sarah Lancashire to TV’s biggest prize? The rising star on lucky breaks and why there’s no shame in playing the girlfriend


Last year, at the age of 22, and barely into her career, Georgina Campbell won Britain’s biggest TV prize for best actress. Not many people expected her to – she was up against Sarah Lancashire, Keeley Hawes and Sheridan Smith. And she was virtually unknown – her BBC3 drama Murdered By My Boyfriend, a domestic-violence drama based on a true story, was critically acclaimed but had nothing like the hype of Happy Valley and Line of Duty. But if you were one of the 3.5 million people who watched Campbell play Ashley – the young woman beaten to death by her abusive partner – with such restraint and realism, her win was no surprise.

What happens in the weeks and months afterwards? What sort of huge offers was she turning down? Campbell laughs, cupping her mug of Earl Grey in a cafe across the road from her home in south London. “Not much. I’m not batting away offers, no.” The effect, she says, has been to make her feel “a bit more secure”, but she also remembers reading an interview with serial Bafta-winner Olivia Colman – with whom she has worked, on the Channel 4 comedy Flowers and again in the forthcoming third series of Broadchurch – “and she said that after she won hers, she really didn’t get much work for a while. People know me a bit more, I get into the audition room more, which means I get more of a chance.”

Most of Campbell’s roles since her Bafta win have been smaller, supporting ones, usually playing the girlfriend. “Really good leading roles are few and far between, and there is so much competition because there are so many fantastic actresses in this country. I don’t think there’s that much to be said about going, ‘I’m a big deal so I’m going to be the main character in everything.’”



 Campbell, right, in One of Us. Photograph: Mark Mainz/BBC

Campbell plays the girlfriend in One of Us, a new BBC four-part thriller set in the Scottish Highlands, but it’s more of an ensemble piece. A young couple are murdered in their Edinburgh flat. At first, it seems like a break-in gone wrong, but it starts to look as if the murderer has some connection to their families. The events that unfold are pretty implausible, but dark and gripping nonetheless.

Campbell was spotted in the street when she was 16 by Sarah Walker, the writer and director who asked her to audition for a part in her show Freak. She got it. Growing up in Dartford with her mother, a teacher, and stepfather, a bookbinder, she hadn’t particularly wanted to be an actor. “I wanted to be an air hostess, because I thought it was the most glamorous thing – and I’d never been on a plane,” she says with a laugh. At school, she liked art and textiles, and thought she might go into fashion. The extent of her acting experience was getting one line in the school plays, “and I would end up saying it really weirdly”.

Campbell with Royce Pierreson in Murder By My Boyfriend. Photograph: BBC

If a show has a male director, having a bit of female input ​is usually quite helpful

She says that when she got the role, she didn’t understand what it really meant at the time. “It’s so hard to get into this industry. There are so many people who are so talented, and they never get those opportunities. Being in the right place and someone giving you a push – I got that. And I was quite shy when I was younger, so the idea of going to auditions was not what I wanted to do at all. I hated it.” Her parents encouraged her, saying that if she didn’t like it, she could always stop. But the parts kept coming – including the usual TV apprenticeship roles in Casualty and Holby City – and she found herself enjoying it. After Murdered By My Boyfriend, she appeared in comedies such as the E4 show Tripped and Sky 1’s After Hours.


Roles for women, she thinks, are “getting a lot better, and I think people are always open to talking about things. There are roles I’ve gone for where it’s been written in a certain way. You read it and you’re like, ‘Well, maybe get rid of that, don’t do this, maybe do this instead.’ I think there’s always a way to bring something, even if it is just the girlfriend role. As long as you’re playing it with an idea of who that person is on their own, away from the male character.” Most directors are open to a discussion, she says. “And if it is a male director and writer, having a bit of female input is usually quite helpful.”

The main issue, Campbell says, is there are not enough female writers and directors. “There needs to definitely be more.” She smiles, raising her voice against the loud background chatter. “There are plenty of very good ones out there.”

One of Us starts on 23 August at 9pm on BBC1.

Tuesday, 23 August 2016

One Of Us - meet the cast and Radio Times review

One Of Us - meet the cast



One Of Us - meet the cast

By 
There's a storm brewing in Scotland in BBC1's British crime thriller One of Us – and we're not just talking about the weather.
Childhood Sweethearts Grace Douglas and Adam Elliot lie brutally murdered in their Edinburgh home. Their families, close neighbours in the remote village of Braeston in the Scottish Highlands, are distraught. With a storm raging outside the murderer arrives on their doorstep, badly injured.
Here's your who's who guide...
John Lynch
Who does he play? 
Bill Douglas, father to the murdered Grace and married to Moira, Grace’s mother.
Where do I recognise him from? 
Lynch’s acting career spans four decades – take your pick from The Secret Garden, crime drama The Fall, Lassie, and his portrayal of a troubled footballing genius in Best. 
Joanna Vanderham
Who does she play?
Claire Elliot, compassionate care home worker and sister to the murdered Adam.
Where do I recognise her from?
She played a beautiful society girl in Dancing on the Edge and has held prominent roles in What Maisie Knew, The Paradise and period drama series Banished.
Juliet Stevenson 
Who does she play?
Louise Elliot, Mum to Adam, Claire and their brother Rob. She’s estranged from her husband and has a frosty relationship with Moira Douglas that borders on animosity. 
Where do I recognise her from?
Bend It Like Beckham, Emma, Infamous, Being Julia, The Village and the ever-popular Truly, Madly, Deeply.
Julie Graham
Who does she play?
Moira Douglas, the mother of Grace and wife of Bill.
Where do I recognise her from?
The Bill (she’s appeared in three roles in the long-running crime drama), Survivors, The Bletchley Circle and sitcom Benidorm.

Joe Dempsie 

Who does he play?
Rob, the eldest sibling of the Elliot clan.
Where do I recognise him from?
He appeared in all three miniseries offshoots of 2006 drama This is England. You’ll also recognise him from Skins and his Game of Thrones role as muscular blacksmith Gendry.

Georgina Campbell

Who does she play?
Rob’s girlfriend Anna.
Where do I recognise her from?
She's the protagonist in unsettling drama Murdered by My Boyfriend, which is based on a real-life story of domestic abuse, and has also appeared in After Hours and black comedy series Flowers.

Gary Lewis

Who does he play?
Alastair, a worker on the Douglas farm.
Where do I recognise him from?
The Scot boasts an impressive résumé and has appeared in the likes of Gangs of New York, Billy Elliot, Filth, and Outlander.

Cristian Ortega

Who does he play?
The taciturn younger brother of Grace, Jamie has an unhealthy fixation on Claire.
Where do I recognise him from?
Ortega is making his screen debut so you probably don’t.



One of Us review: a clever, chilling and original thriller




One of Us review: a clever, chilling and original thriller

What a clever little thriller this is shaping up to be.
We start with an horrific killing, look straight into the eyes of the desperate drug-crazed murderer of a beautiful young couple Adam and Grace (who is pregnant) and… then what? Where can it go from here?
Well, we go the family that’s what, facing the unbearable unthinkable impact of their grief before another twist. The killer we assumed to be a random attacker hot foots it in a stolen car up to the remote Scottish highlands where the two families live. But before he can carry out whatever nefarious deed he was planning he crashes. The family find him barely alive, realise he is the murderer (he has their postcode written down, so is clearly looking for them, and is wearing dead Adam’s watch) and then imprison him.
Only writers Jack and Harry Williams have yet another twist for us: Rob (Joe Dempsie, below) has been lying and had not called the emergency services. And the killer, who has been caged by the families, is then finished off in the middle of the night, despite the best attentions of Joanna Vanderham's Claire (below), the medic who puts the ethics of her work ahead of her feelings while caring for a man who killed her brother.
But before you can say "who killed him?" and "will they get away with it?" there’s another twist. Louise’s estranged husband Peter, played by Adrian Edmondson, reacts in a decidedly weird manner to the news that his son has been killed: he doesn’t seem to be too bothered. He tells his new wife that there was “no-one” on the phone when he listened to the voicemail. Cue credits.
It’s a strong opener to what promises to be a gripping four-part series with plenty to be resolved.
The Williams brothers have a knack for playing creatively with well-known genres (think their James Nesbitt series The Missing which focused on a missing child but held back until the very end the revelation of whether the youngster was alive or not) and they seem to have pulled it off again.
This is about the murder of a murdererer by the victim's families, which explores the nature of grief and retribution in new and interesting ways.
It reminded me a little of Scandi Noir; not just in the rain sodden beautiful grey and gloomy scenery but in the way the drama focuses on the aftermath of a murder, rather in the manner of those brilliant opening episodes of The Killing series one which was steeped in powerful emotions emanating from a killing. Many of the scenes are also lit from behind – eery, and chilling, all a bit Reservoir Dogs.
A word too for the scenery which does its job magnificently. “It’s just a bit of weather Bill,” says Gary Lewis’ hardened farmhand Alastair at one point but of course it’s more than that. The crashing storms are a fitting metaphor for the emotional life of the characters but director William McGregor does a good job with the visual metaphors. I liked the cutaway to the spider’s web, which echoes a line earlier in the drama and is one of many finely judged visual metaphors for the hell this family now finds itself in.
Of course there are questions to be asked. The plot requires the police to be given a back seat early on. Quite why they hadn’t visited the family yet suggests they may not be up to the job but there is an intriguing set up with Laura Fraser’s character Juliet. She's a detective who deals drugs to help fund an operation for what we presume is her cancer stricken daughter. And with this story she has her work cut out.
Also, the performances are first rate, even if a lot of the acting requires rather a lot of frenetic emoting as this horror story unfolds.
But when we're dealing with frenetic emotion, it's also true to say that Juliet Stevenson (below) is made for the role of howling angry stricken mother Louise, and I also liked the interaction between Juliet Graham ‘s Moira and John Lynch as her husband John. These acting veterans are ably supported by the younger cast.
I'm quite excited at the prospect of episode two and will probably join Louise for a stiff one...
 
One of Us Continues on Tuesday nights on BBC1 at 9pm 


Monday, 25 April 2016

Flowers star Georgina Campbell says acting is 100 per cent too posh

Flowers star Georgina Campbell says acting is 100 per cent too posh

The actress talks working with Olivia Colman and being on a fast-track to fame
Georgina Campbell is fretting that Olivia Colman will think she’s a stalker. “I’m following her around,” she tells me, laughing. She’s referring to the actresses’ joint-billing in both Channel 4’s new comedy Flowers and Broadchurch’s third series, which starts filming next month. “I talk about her a lot in interviews, so I’m worried I’ll go on Broadchurch and she’s going to think I’m this creep.”
Campbell comes across as anything but. She laughs more in 40 minutes — even through a mouthful of avocado eggs Benedict — than most people manage in a week. There’s also an endearing can’t-believe-her-luck attitude to success (she’s thrilled to have a Wikipedia page, even though it’s inaccurate) that makes me think of Charlie and his golden ticket to the chocolate factory.
At 23, she’s on the fast-track to fame. After the traditional path of Casualty, Holby and Doctors (she dubs them “the training ground”) she won a Bafta last year for BBC3’s Murdered by My Boyfriend, beating Sheridan Smith. A photo of Campbell’s gobsmacked expression as her name was read out spread across the internet. Even now, she seems shocked. “It was crazy, so weird. It’s still really weird.”
She had thought her chances so slim she hadn’t written a speech. “You could tell! I mumbled, I don’t know what about. I didn’t even thank my family! Afterwards, my mum was like ‘thanks’. People do polls of who is going to win, and I was always at the bottom. Like crazy at the bottom. Two per cent.”
Since then, she’s kept adding roles to her CV. Flowers, a dark comedy about a dysfunctional family, starts tonight, with episodes every night this week.
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Flowers - Trailer - Channel 4
She plays Abigail, who both the twin children, creepy Donald and awkward Amy, pine for. “People say Abigail is the sane one but you find out more about her later and see similarities between her and Amy. They’re both tortured souls and they find each other.”
The series was written by Will Sharpe, who also directed and starred in it. “He’s greedy! Will has been allowed to run wild with it. He’s created something so different.” Would she write herself? “I’d like to. I do as a hobby.” She looks embarrassed at the 
She plays Abigail, who both the twin children, creepy Donald and awkward Amy, pine for. “People say Abigail is the sane one but you find out more about her later and see similarities between her and Amy. They’re both tortured souls and they find each other.”
The series was written by Will Sharpe, who also directed and starred in it. “He’s greedy! Will has been allowed to run wild with it. He’s created something so different.” Would she write herself? “I’d like to. I do as a hobby.” She looks embarrassed at the admission, then adds: “You want to be good at everything but you’re not necessarily.”
When we meet, she’s just finished reading Caitlin Moran’s How To Be A Woman, which she adored. She’s a proud feminist but can’t stomach the policing of the movement. “It needs to be more inclusive. Sometimes people feel scared of feminism because they get the idea — and it isn’t true — that it’s [all] women who hate men, don’t wear make-up or shave their armpits.”
She’s warming to her theme now. “And if you like rap music where they’re saying the word ‘bitch’ then you’re not a feminist. That’s silly. You should be able to enjoy whatever you want and still say that you want equality for women.”
I tell her that Murdered by My  Boyfriend struck me as a feminist project. She nods. “I didn’t know that the biggest group of women affected by domestic violence were 16-24. A lot of young women saw it and thought — not about the assaults necessarily but the psychological stuff — ‘that happened to me’. Like someone going through your Facebook or your phone.”
Her own, smaller bugbear is men telling women on the street to smile. “I hate it. It’s like you’re their amusement, like women have to be agreeable for men. And as soon as the man isn’t getting what he wants, he turns on [you]: ‘Why is this cow behaving like that?’ It’s bizarre. No one expects men to go around grinning from ear to ear.”
I ask if there’s a similar sexism in casting. “It happens a lot that women have to play the girlfriend role, which isn’t as three-dimensional as the male role. There isn’t much room for different kinds of women.”
She feels the complexity of women is “washed over”: “They’re not allowed to have as many levels as men. So many fantastic male characters are brooding, angry and not nice; that doesn’t happen as much with women.” This is improving, though: “There’s lots of strong female leads now. It makes you realise it doesn’t matter about gender, whether [the lead] is a man or woman. People will watch it if it’s good.” 
We turn to another kind of diversity — is acting “too posh”? “100 per cent.” She mentions Nottingham’s (free)  Television Workshop, where many This Is England actors trained, as a means to ensure working-class actors enter the industry. “We need more things like that ... how else are you going to represent a whole portion of the population?”
Campbell is mixed race, with a Jamaican father and white mother. She thinks racial scrutiny of awards season looks at the problem “way too late”. “When Lenny Henry said there should be a quota, people said to me ‘would you really want a role because they’re trying to tick a black box?’ I’d rather it than nothing, so maybe. Sometimes it takes that to open up people’s minds.”
A problem in the UK, she adds, is that our main export is period dramas. “That’s what people around the world love us for, and we tend to whitewash period dramas completely.”
She repines at those who say “that’s what it would have been like then”: “No. This country has had Indian and black people for centuries. Mostly they would have been in service but think of Belle [Dido Elizabeth Belle, a mixed-race heiress whose story was made into a 2013 film]. Those stories get ignored. It’s the game of ‘this is what people expect from us, why change the formula?’”
Next, Campbell will be filming Broadchurch. She was a fan of the show before being cast and can’t resist mentioning her hero again: “I watch everything with Olivia Colman in.”
After an acclaimed first series, the second received poorer reviews. “The second series got a dip,” she acknowledges. “[But] it still got so many viewers. It’s like the difficult second album: once you’ve outdone everyone’s expectations, it’s hard to do that again.”
She also has a second crime drama — the BBC’s much-hyped One Of Us —  scheduled for September. So is this is a golden age for TV? She nods. “In TV now, you have these big budget productions with the same values as film. There was a time when you were a film or a TV actor — now people do everything.”
Campbell has made her first foray into film with Guy Ritchie’s Knights of the Roundtable: King Arthur. How different was that from TV? “Completely. In TV, it’s like a family, you know everyone. There’s so many people with film. We spent three days doing one scene.”
She plays Kay, a prostitute. “King Arthur gets taken in by a brothel as a child, so we are part of his family. We follow him on his journey.” She seems embarrassed at this, adding: “And medieval prostitutes dress well: there’s lot of ankle-length gowns. It’s a family film!”
In the meantime, she has a weirder ambition: getting a pet rat. “Last year, I had just gone through a break-up, and suddenly was like ‘I want a rat’ but no one — my family or friends— wants me to.” She adds that her flat-mate has threatened not to feed the theoretical rat while she’s away on jobs. Campbell lives in Camberwell  (“People always tell me it’s a bit rough. It isn’t”) but is LA the dream? “Not the dream, but I’d like to check it out.”
What other ambitions are unfulfilled? “I’ve always wanted to do a horror film. I don’t know if my agent will be happy I said that, when I get sent some crap horror films, but I’d like to do a good one, like It Follows, or the Babadook.”
But as she heads off to Camberwell, it’s for a more prosaic pursuit: “Our flat’s a mess and I’m going back to clean it.” 
Flowers starts tonight on Channel 4.

Wednesday, 30 March 2016

Wolf Hall leads 2016 TV BAFTA nominations with four nods...

Wolf Hall leads 2016 TV BAFTA nominations with four nods... as Idris Elba and Sheridan Smith battle it out for Best Actor and Best Actress 

Television presenter Dermot O'Leary and British actress Georgina Campbell announced the 2016 TV BAFTA nominations on Tuesday morning. 
Wolf Hall leads the way with four nominations, while Idris Elba receives a nod for his role as DCI John Luther, alongside Ben Wishaw, Mark Rylance and Stephen Graham. 
Sheridan Smith getting a nod for Best Actress for her role in the C-word against Claire Foy, Suranne Jones and Ruth Madeley. 
Breaking news: Idris Elba has received a Best Actor nod at the 2016 TV BAFTA Awards for his role as DCI John Luther, alongside Ben Wishaw, Mark Rylance and Stephen Graham
Breaking news: Idris Elba has received a Best Actor nod at the 2016 TV BAFTA Awards for his role as DCI John Luther, alongside Ben Wishaw, Mark Rylance and Stephen Graham
Acclaimed: This year's awards are set to take place on Sunday May 8 at London's Royal Festival Hall and is set to be a star-studded affair, hosted by Graham Norton
Acclaimed: This year's awards are set to take place on Sunday May 8 at London's Royal Festival Hall and is set to be a star-studded affair, hosted by Graham Norton
This year's awards are set to take place on Sunday May 8 at London's Royal Festival Hall and is set to be a star-studded affair, hosted by Graham Norton.Wolf Hall, has received four nods, with Mark Rylance taking a nomination for his role in the BBC Two show.
The historical drama, which depicts Thomas Cromwell's rise to power through Henry VIII's royal court, was also nominated for best drama series. It will need to fend off competition from Humans, The Last Panthers and No Offence. 
Claire Foy has received a nod for Leading Actress, with Anton Lesser picking up a nod for Supporting Actress in the programme. 
Peter Kosminsky, Peter Straughan, Mark Pybus, Colin Callender – Playground Entertainment, Company Pictures/BBC Two, are up for Drama Series for Wolf Hall, too. 

Sheridan Smith stars as cancer patient Lisa Lynch in The C Word

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Amazing role: Sheridan Smith getting a nod for Best Actress for her role in the C-word against Claire Foy, Suranne Jones and Ruth Madeley
Amazing role: Sheridan Smith getting a nod for Best Actress for her role in the C-word against Claire Foy, Suranne Jones and Ruth Madeley
An honour: She has previously said that nothing prepared her for the 'enormous privilege and responsibility' of playing her late friend, Lisa Lynch in the drama about facing cancer 
An honour: She has previously said that nothing prepared her for the 'enormous privilege and responsibility' of playing her late friend, Lisa Lynch in the drama about facing cancer 
TV favourite The Great British Bake Off, which sees amateur bakers face off in a series of challenges, received its fifth consecutive nomination.
It is nominated in the features category, which it won in 2012 and 2013.
Singer Adele has received her first Bafta nomination, for the TV special Adele At The BBC.
The programme saw her in conversation with Graham Norton about her career and comeback, and she also performed songs from her new album, 25.
Big news: Wolf Hall leads the way with four nominations, while Idris Elba receives a nod for his role as DCI John Luther, alongside Ben Wishaw, Mark Rylance and Stephen Graham
Big news: Wolf Hall leads the way with four nominations, while Idris Elba receives a nod for his role as DCI John Luther, alongside Ben Wishaw, Mark Rylance and Stephen Graham
Damian Lewis stars in BBC Two period drama Wolf Hall

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Special moment: Poldark is up for the Radio Times Audience Award (voted for by members of the public)
Special moment: Poldark is up for the Radio Times Audience Award (voted for by members of the public)
She is up for best entertainment programme alongside Britain's Got Talent, Strictly Come Dancing and the TFI Friday anniversary special.
Peter Kay's Car Share and This Is England '90 have received three nominations each.
This Is England '90, which is Shane Meadows' spin-off from the 2006 film This Is England, a sequel to This Is England '86 and This Is England '88, is nominated for mini-series.
In addition to Graham's best actor nomination, Chanel Cresswell has been nominated for supporting actress.
Something to say: Television presenter Dermot O'Leary and British actress Georgina Campbell announced the 2016 TV BAFTA nominations on Tuesday morning
Something to say: Television presenter Dermot O'Leary and British actress Georgina Campbell announced the 2016 TV BAFTA nominations on Tuesday morning
Winner: Georgina won a BAFTA for Leading Actress in 2015 - posing with the gong
Winner: Georgina won a BAFTA for Leading Actress in 2015 - posing with the gong
Moment: (L-R) Georgina, Chairman of the Academy Anne Morrison and Dermot all posed for snaps at the Princess Anne theatre 
Moment: (L-R) Georgina, Chairman of the Academy Anne Morrison and Dermot all posed for snaps at the Princess Anne theatre 
Car Share received nods including Sian Gibson for female performance in a comedy programme, Peter Kay for male performance in a comedy programme, and scripted comedy.
Film and TV star Sir Ian McKellen has been nominated for supporting actor for The Dresser.
This is his first Bafta TV nomination, although he has been nominated three times for Bafta Film awards.
Michelle Gomez was recognised for her role as Missy in Doctor Who in the best supporting actress category.
Game Of Thrones star Maisie Williams's Cyberbully has been nominated in the single drama category, alongside Don't Take My Baby, The Go-Between and The C-Word.
Amazing: Singer Adele has received her first Bafta nomination, for the TV special Adele At The BBC
Amazing: Singer Adele has received her first Bafta nomination, for the TV special Adele At The BBC
Bafta chairwoman Anne Morrison said the nominations 'reflect the real great range and quality of British television'.
Rylance and Elba will go head to head yet again after both being nominated for best supporting actor at the Bafta film awards earlier this year. Rylance won, and went on to win the Oscar for his performance in Bridge Of Spies.
Ms Morrison told the Press Association: 'It's been a great year for Mark Rylance, having won the Oscar and the Bafta.
'Here he is again with Wolf Hall and just tremendous quality in the acting, both of them brilliant talents.'
On the issue of diversity in television, she said: 'There's always a way to go - we can never rest on our laurels - but looking down this list I think it is a very diverse list.'
This year's Oscars became the focus of a debate about diversity after all the acting nominees were white, but Morrison said the list of Bafta TV nominees was more diverse.
Adele performs Hello live for the first time on BBC special

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She said: 'You've got Ruth Madeley, who uses a wheelchair, in the leading actress category. You've got a real range in diversity across ethnicity and so on, right across the board.
'So I think that things are definitely improving, things have come a long way. There is still further to go, and in Bafta we are very hot on diversity, we have big new talent programmes to try and make sure that the whole industry is as diverse as possible.'
She added: 'There's been a big focus on it in a lot of the broadcasters for quite some time, and I think that it is quite a lot in our control. Obviously the world of film is a bit more international.
'We've seen progress over the years but I think it is important not to be complacent, and think we've got there, because we're still a long way from the playing field being level.'
The nominations list also sees nods for actors who straddle film and TV including Elba, Whishaw, Rylance and Sir Ian.
Ms Morrison said: 'I think that we're in a much more converged world between the top end of TV drama and the world of feature films. So many companies are making both, so many actors are moving back and forth between the world of film and TV drama.
'I think this old hierarchy that there used to be has really broken down, and it's much more of a level playing field in that sense.'

2016 BAFTA TV AWARDS - FULL LIST OF NOMINATIONS 

Leading actor 
BEN WHISHAW London Spy – BBC Two
IDRIS ELBA Luther – BBC One
MARK RYLANCE Wolf Hall – BBC Two
STEPHEN GRAHAM This is England ’90 – Channel 4
Leading actress 
CLAIRE FOY Wolf Hall – BBC Two
RUTH MADELEY Don’t Take My Baby – BBC Three
SHERIDAN SMITH The C-Word – BBC One
SURANNE JONES Doctor Foster – BBC One
Supporting actor 
ANTON LESSER Wolf Hall – BBC Two
CYRIL NRI Cucumber – Channel 4
IAN MCKELLAN The Dresser – BBC Two
TOM COURTENAY Unforgotten - ITV
Supporting actress
CHANEL CRESSWELL This is England ’90 – Channel 4
ELEANOR WORTHINGTON-COX The Enfield Haunting
LESLEY MANVILLE River – BBC One
MICHELLE GOMEZ Doctor Who – BBC One
Entertainment programme 
GRAHAM NORTON The Graham Norton Show – BBC One
LEIGH FRANCIS Celebrity Juice – ITV2
ROMESH RANGANATHAN Asian Provocateur – BBC Three
STEPHEN FRY QI – BBC Two
Female performance in a comedy programme 
MICHAELA COEL Chewing Gum – E4
MIRANDA HART Miranda – BBC One
SIAN GIBSON Peter Kay’s Car Share – BBC iPlayer
SHARON HORGAN Catastrophe – Channel 4
Male performance in a comedy programme  
HUGH BONNEVILLE W1A – BBC Two
JAVONE PRINCE The Javone Prince Show – BBC Two
PETER KAY Peter Kay’s Car Share –BBC iPlayer
TOBY JONES Detectorists – BBC Four
Single drama 
THE C-WORD Susan Hogg, Simon Lewis, Nicole Taylor, Tim Kirkby – BBC Drama Production London/BBC One
CYBERBULLY Richard Bond, Ben Chanan, David Lobatto, Leah Cooper – Raw TV/Channel 4
DON’T TAKE MY BABY Jack Thorne, Ben Anthony, Pier Wilkie, Aysha Rafaele – BBC Documentaries Production/BBC Three
THE GO-BETWEEN Claire Bennett, Susan Hogg, Adrian Hodges, Pete Travis – Left Bank Pictures/BBC Drama Production, London/BBC One
Mini-series
DOCTOR FOSTER Mike Bartlett, Tom Vaughan, Roanna Benn, Jude Liknaitzky – Drama Republic/BBC One
THE ENFIELD HAUNTING Production Team – Eleven Films/Sky Living
LONDON SPY Juliette Howell, Tom Rob Smith, Guy Heeley, Jakob Verbruggen – Working Title/BBC Two
THIS IS ENGLAND ’90 Shane Meadows, Mark Herbert, Jack Thorne, Rebekah Wray-Rogers – Warp Films/Channel 4
Drama series 
HUMANS Production Team - Kudos Film and Television/Channel 4
THE LAST PANTHERS Jack Thorne, Johan Renck, Peter Carlton, Caroline Benjo – Haut et Court TV and Warp Films/Sky Atlantic
NO OFFENCE Paul Abbott, Martin Carr, Anna Ferguson, Catherine Morshead – AbbottVision/Channel 4
WOLF HALL Peter Kosminsky, Peter Straughan, Mark Pybus, Colin Callender – Playground Entertainment, Company Pictures/BBC Two
Soap and continuing drama 
CORONATION STREET Production Team – ITV Studios/ITV
EASTENDERS Production Team – BBC Drama Production London/BBC One
EMMERDALE Production Team – ITV Studios/ITV
HOLBY CITY Oliver Kent, Simon Harper, Kate Hall, Joe Ainsworth – BBC Drama Production London/BBC One
International 
THE GOOD WIFE Production Team – Scott Free Productions, King Size Productions, CBST/More 4
NARCOS Jose Padilha, Eric Newman, Chris Brancato – Gaumont International Television/Netflix
SPIRAL Vassili Clert, Anne Landois – Canal + Creation Originale/Son et Lumiere/In association with BBC Four/BBC Four
TRANSPARENT Production Team – Amazon Studios/Amazon Prime Instant Video
Factual series 
THE DETECTIVES Colin Barr, Ruth Kelly, James Newton, Rupert Houseman – Minnow Films/BBC Two
GREAT ORMOND STREET Dollan Cannell, Catey Sexton, Lucy Hillman – Films of Record/BBC Two
THE MURDER DETECTIVES Production Team – Films of Record/Channel 4
THE TRIBE Production Team – Renegade/Channel 4
Specialist factual 
BRITAIN’S FORGOTTEN SLAVE OWNERS Production Team – BBC History Unit/BBC Two
GRAYSON PERRY’S DREAM HOUSE Neil Crombie, Grayson Perry, Joe Evans, Marcus Plowright – Swan Films/Channel 4
THE HUNT Production Team – Silverback Films/BBC One
RUDOLF NUREYEV – DANCE TO FREEDOM Franny Moyle, Richard Curson Smith, Tom Herrington, Yelena Durden-Smith – IWC/BBC Two
Single documentary 
BITTER LAKE Production Team - BBC Productions/BBC iPlayer
LIFE AFTER SUICIDE Angela Samata, Leo Burley, Jenny Williams, Fergus O’Brien – BBC Documentaries Production/BBC One
LOUIS THEROUX: TRANSGENDER KIDS Production Team – BBC Documentaries Production/BBC Two
MY SON THE JIHADI Production Team – True Vision/Channel 4
Features 
BACK IN TIME FOR DINNER Emily Shields, Leanne Klein, Kim Maddever – Wall To Wall/BBC Two
THE GREAT BRITISH BAKE OFF Paulo Proto, Andy Devonshire, Anna Beattie – Love Productions/BBC One
KEVIN MCCLOUD: ESCAPE TO THE WILD Production Team – Optomen Television/Concrete TV/Channel 4
TRAVEL MAN Adam Humphries, Leo McCrea, Graham Smiles, Chris Richards – North One/Channel 4
Reality and constructed factual
 FIRST DATES Nicola Lloyd, Martin Conway, Adam Chapman – Twenty Twenty/Channel 4
GOGGLEBOX Stephen Lambert, Tania Alexander – Studio Lambert/Channel 4
I’M A CELEBRITY…GET ME OUT OF HERE! Production Team – ITV Studios/ITV
THE SECRET LIFE OF 5 YEAR OLDS Teresa Watkins, Nicola Brown, Emily Lawson, Harjeet Chhokar – RDF Media, a Zodiak Media Company/Channel 4
Current Affairs 
CHILDREN OF THE GAZA WAR Lyse Doucet, Lucy Hetherington, James Jones, Graham Taylor – BBC/BBC Two
ESCAPE FROM ISIS (DISPATCHES) Edward Watts, Evan Williams, Sam Collyns, George Waldrum – ITN Productions, Ronachan Films Co-Production with Evan Williams Productions and Mediadante/Channel 4
JIHAD: A BRITISH STORY Deeyah Khan, Darin Prindle, Andrew Smith, Kevin Thomas – Fuuse Films/ITV
OUTBREAK: THE TRUTH ABOUT EBOLA (THIS WORLD) Dan Edge, Sasha Achilli – Mongoose Pictures/Quicksilver Media/BBC Two
News coverage 
BBC NEWS AT SIX: PARIS ATTACKS SPECIAL Production Team – BBC News/BBC One
CHANNEL 4 NEWS: PARIS MASSACRE Jon Snow, Lindsey Hilsum, Jonathan Rugman, Ben de Pear – Channel 4 News/Channel 4
ITV NEWS AT TEN: REFUGEE CRISIS Production Team – ITN for ITV News/ITV
SKY NEWS: FROM TURKEY TO GREECE Alex Crawford, Garwen McLuckie, Colin Brazier, Kirsty Walker – Sky News/Sky News
Sport 
THE ASHES Bryan Henderson, Mark Lynch, David Lloyd, Ian Ward – Sky Sports/Sky Sports 2
THE GRAND NATIONAL Carl Hicks, Denise Large, Neil Green, Nick Lightfoot – IMG Productions/Channel 4
MOTD LIVE: FA CUP FINAL Andrew Clement, Richard Hughes, Ian Finch, Chris Gubb – BBC Sport/BBC One
SIX NATIONS – FINAL DAY Production Team – BBC Sport/BBC One
Live event 
BIG BLUE LIVE Production Team – BBC/BBC One
THE SOUND OF MUSIC LIVE! Production Team – ITV Studios Entertainment/ITV
STARGAZING LIVE: BRIT IN SPACE, TIM PEAKE SPECIAL Production Team – BBC Science Production London in association with BBC Learning/BBC Two
THE VOTE Production Team – Twofour/More4
Entertainment programme
ADELE AT THE BBC Adele Adkins, Guy Freeman, Anouk Fontaine, Simon Staffurth – BBC Events Production/BBC One
BRITAIN’S GOT TALENT Richard Holloway, Amelia Brown, Lee McNicholas, Matt Banks – Thames/Syco Production for ITV/ITV
STRICTLY COME DANCING Louise Rainbow, Vinnie Shergill, Sarah James, Nikki Parsons – BBC Entertainment/BBC One
TFI FRIDAY ANNIVERSARY SPECIAL Will Macdonald, Clare Barton, Suzi Aplin – Olga TV, Monkey Kingdom, Zimple/Channel 4
Comedy and comedy entertainment programme 
CHARLIE BROOKER’S ELECTION WIPE Charlie Brooker, Annabel Jones, Matt Hulme, Nick Vaughan-Smith – House of Tomorrow, Endemol Shine UK/BBC Two
HAVE I GOT NEWS FOR YOU Richard Wilson, Mark Barrett, Danny Carr, John L Spencer – Hat Trick Productions/BBC One
QI Nick King, John Lloyd, Ian Lorimer, Piers Fletcher – A Quite Interesting Talkback Co-Production/BBC Two
WOULD I LIE TO YOU Peter Holmes, Rachel Albett, Ruth Phillips, Richard Cohen – Zeppotron/BBC One
Scripted comedy
CHEWING GUM Production Team – Retort/E4
PEEP SHOW Jesse Armstong, Sam Bain, Becky Martin, Hannah Mackay – Objective Productions/Channel 4
PEOPLE JUST DO NOTHING Production Team – Roughcut TV/BBC Three
PETER KAY’S CAR SHARE Peter Kay, Gill Isles, Sian Gibson, Paul Coleman – Goodnight Vienna Productions/BBC iPlayer
Radio Times Audience Award (voted for by members of the public)
DOCTOR FOSTER
THE GREAT BRITISH BAKEOFF
HUMANS
MAKING A MURDERER
PETER KAY’S CAR SHARE
POLDARK






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