At the start of season two Ariadne becomes Queen of Atlantis, giving her the power and agency to enforce rules as opposed to merely following them. New sides of her character are revealed in every episode; the stunts and archery scenes have been a particular highlight for me this time around. But the role remains a delicate balance between fragility and strength. Ariadne’s weakness still lies in her love for Jason, and although she displays a hard veneer, she’s also vulnerable, and much more layered and complex – that’s how I try to play her at least.
Female protagonists are often characterised pejoratively and reductively as neurotic, dangerous or pathetic, and the men they relate to define them. But on Atlantis we pass the ‘Bechdel test’ in every scene between Pasiphae and Ariadne. Yes, they both love the same man, albeit in different ways, but that certainly doesn’t define their conflict. And it’s been exciting to play.